George Armstrong Custer

George Armstrong Custer

It is really quite amazing to read through some of the theories produced during the 19th century about the origin of the Native Americans. As I talked about in my last post, I am currently reading the memoirs of George Custer about his life on the plains and his personal experiences with the Indians.

The second chapter in the book Custer uses to paint a picture of some of the various theories of his time on the origins of the Native Americans. He briefly mentions the most widely accepted theory today: they were migratory groups that followed the game into North America from eastern Asia over a land bridge between modern day Russia and Alaska. A couple of other theories he briefly mentions is that they came directly from Africa and that they are simply autochthonous.

Although he briefly mentions these, he spends most of the chapter discussing and giving proofs for a theory in which the Indians are directly descended from the Hebrews. He argues that scientists during his time period had gathered enough behavioral evidence from the Indians to prove that this theory is the most probable. One such proof was that a scientist studying the origins of the Native Americans “once heard an Indian apply the following expression to a culprit: ‘Tschi kaksit canaba‘ — ‘Thou art like unto a Canaanite sinner.'”1

I find this theory to be quite ridiculous. All of the evidence Custer provides is merely circumstantial and behavioral. I have no way of proving whether or not the translation of the above quote in the Indian language is accurate or not, but I am very skeptical. One hundred and thirty years from now they may be laughing at our theories as well, but I think they are based on much more solid ground that those of one hundred and thirty years ago.


1. George Armstrong Custer, My Life on the Plains: Personal Experiences with the Indians (New York: Barnes & Noble, Inc, 2009), 19.

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About the Author

Alex Seifert
Alex is a developer, a drummer and an amateur historian. He enjoys being on the stage in front of a large crowd, but also sitting in a room alone, programming something or writing about history.

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