The rule of the Bavarian kings ended with the German Revolution of 1918-1919 in the immediate aftermath of World War I. The royal family became enemies of the Nazis and had to flee Germany, but never gave up the dream of restoring the monarchy.
A long, tragic series of events brought King Ludwig III to the Bavarian throne. He was the monarch who was never destined to become king. He did not inherit it, but instead took it from his mentally ill cousin. Ludwig also saw the end of his family’s 700-year rule over Bavaria.
King Otto I was the king who never reigned. His story was a tragic one that to this day remains unique in the history of Bavaria. He became king upon his older brother’s death, but as he had already been declared insane and mentally unfit to rule, his uncle took over his royal duties as prince regent.
Today’s idea of democracy has taken centuries to develop and no other country has such a unique history with democracy as that of England. From the first Norman kings in the eleventh century CE, to today’s complex relationship between the English people, the monarchy and the Parliament, the process by which the English have come to govern themselves in modern times is quite a tale unto itself.
Fin-de-Siècle Britain saw many new styles and innovations in the architecture of houses. Some of these new designs were visual whilst others were more practical. A mishmash of styles were created by a number of different architects in an attempt to redefine British architecture, but they would effectively only give the period a sense of chaos.
Middle class families, like their upper-class peers, took the interior of their houses very seriously. It was the primary means with which they could put their financial and social status on display for the world to see. As such, interior design was arguably the quickest developing part of the house which continually morphed into different styles.
The floor plans of Late Victorian and Edwardian houses began to reflect the continually increasing standards of living and the rise of new domestic technologies throughout the periods. Whilst working-class houses and the homes of the wealthy did not change much in terms of style or size, houses targeted at the middle class generally became larger.
It is hard to believe that an entire decade has elapsed since I published my first History Rhymes blog post entitled “Starting Out.” A lot has changed in the past ten years and I have big plans for it for the future.
History Rhymes has been picked to be featured in an editorial by Tutorful called “History Lovers: Awesome Websites and Resources To Cure Your Boredom”.
As part of my efforts to reinvent History Rhymes, I would like to not only publish articles about various topics in nineteenth-century American and European history, but also write about the latest news and research in the field. If you have any news tips, they would be much appreciated.
I stumbled upon an online archive today with digitized historic documents and books that ended up costing me about two hours of my time just browsing.
I am pleased to announce a few changes that have been going on here at History Rhymes. The homepage has been reworked to emphasize feature articles and news articles, the whole website is now responsive for mobile devices and tablets, and a few other more minor updates round the whole thing off.
Fin-de-Siècle Britain saw many new styles and innovations in the architecture of houses. Some of these new designs were visual whilst others were more practical. A mishmash of styles were created by a number of different architects in an attempt to redefine British architecture, but they would effectively only give the period a sense of chaos.
Quite some time ago, I did a research project about houses in Fin-de-Siècle Britain. This resulted in a long essay about middle-class houses during this time period which specifically focused on general tendencies in architecture, architectural features, façades, floor plans, as well as interior design.
