Multi-Part Series

The rule of the Bavarian kings ended with the German Revolution of 1918-1919 in the immediate aftermath of World War I. The royal family became enemies of the Nazis and had to flee Germany, but never gave up the dream of restoring the monarchy.

A long, tragic series of events brought King Ludwig III to the Bavarian throne. He was the monarch who was never destined to become king. He did not inherit it, but instead took it from his mentally ill cousin. Ludwig also saw the end of his family’s 700-year rule over Bavaria.

King Otto I was the king who never reigned. His story was a tragic one that to this day remains unique in the history of Bavaria. He became king upon his older brother’s death, but as he had already been declared insane and mentally unfit to rule, his uncle took over his royal duties as prince regent.

Fin-de-Siècle Britain saw many new styles and innovations in the architecture of houses. Some of these new designs were visual whilst others were more practical. A mishmash of styles were created by a number of different architects in an attempt to redefine British architecture, but they would effectively only give the period a sense of chaos.

Middle class families, like their upper-class peers, took the interior of their houses very seriously. It was the primary means with which they could put their financial and social status on display for the world to see. As such, interior design was arguably the quickest developing part of the house which continually morphed into different styles.

The floor plans of Late Victorian and Edwardian houses began to reflect the continually increasing standards of living and the rise of new domestic technologies throughout the periods. Whilst working-class houses and the homes of the wealthy did not change much in terms of style or size, houses targeted at the middle class generally became larger.

Façades in Fin-de-Siècle Britain changed quite significantly. Early in the period they were very similar to their High Victorian counterparts, but through the designs of architects such as Morris, Webb and Shaw, they began to transform. By the Edwardian era, however, they had become enough different that they could easily be identified as specifically belonging to the period.

As in all time periods, certain trends defined houses in Late Victorian and Edwardian Britain. These were not only visual, but also in terms of how the houses were laid out as well as certain features which were new to the period. Early in the Fin-de-Siècle, the features of a house were not much different than they had been during the High Victorian era.

It can be said that a nation’s architecture and national identity can be defined by the way it builds its own houses. Whilst this may be true to some degree, it is very difficult to judge in the case of Fin-die Siècle Britain.

The story of Prince Luitpold and how he came to power is a rather tragic one. Although Prince Luitpold was never actually king of Bavaria, he reigned in place of his nephew, King Otto I, who was declared insane and unfit to rule even before inheriting the throne after the death of his older brother, King Ludwig II. Luitpold was proclaimed prince regent after Ludwig was deposed and remained so until his death in 1912.